




| Artist | Henri Matisse |
| Year | 1958 |
| Exhibition | Matisse — Dessins et Sculptures, Galerie Berggruen, Paris |
| Printer | Mourlot Frères, Paris |
| Size | 44 × 66 cm (17.5 × 26 in) |
| Type | Original vintage lithographic exhibition poster |
| Backing | Freshly linen backed |
| Condition | A — Excellent |
This is an original lithographic poster printed by Mourlot Frères for the exhibition Matisse — Dessins et Sculptures at the Galerie Berggruen, 70 rue de l'Université, Paris, in 1958. The Galerie Berggruen was one of the most distinguished private galleries in post-war Paris — founded by Heinz Berggruen, a dealer of legendary taste and rigour whose personal collection eventually became one of the great Picasso and Klee museums in the world. His decision to mount a dedicated exhibition of Matisse's drawings and sculptures four years after the artist's death was a considered act of homage to one of the defining figures of the century.
Henri Matisse (1869–1954) left behind a sculptural body of work that remains among the most underappreciated achievements in 20th-century art — over sixty bronzes produced across five decades, exploring the same obsessions as his paintings: the figure, the pose, the reduction of form to its essential gesture. A posthumous exhibition dedicated to this dimension of his genius, at one of Paris's most respected galleries, printed by the atelier that had been his trusted collaborator for a decade, constitutes a significant moment in the critical reception of his work.
Mourlot Frères printed ten Matisse posters across their collaboration — each one a rare and carefully documented object. This poster, in excellent condition and freshly linen backed, is one of the last in that sequence, produced after Matisse's death to honour work that had not yet received its full recognition.
The poster has been freshly linen backed — the gold standard of vintage poster conservation — ensuring the piece is stable, flat, and ready for framing.
A posthumous homage of exceptional elegance — Matisse's most intimate work, at the gallery that understood it best, printed by the atelier that knew him longest.